Brodsky takes photos – not his own – of protests in 1968 around the world and writes on them. Seligmann-Silva chose four from Latin America to display in Hiatus.
“Brodsky’s idea was that the exhibition wouldn’t only deal with the memory of horror, of state violence, and work with data, faces, names, and personal histories,” Seligmann-Silva says. “It would also remember the dreams. These people died because they had dreams and the fought for them. This is the part where he remembers that struggle.”
[Photo: Joca Duarte. Used with permission.]